I discuss Blood on the Dance Floor’s ninth studio album: Kawaii Monster. Being the first album to feature female vocalist, Fallon Vendetta, and being yet another odd shift in sound, how does it hold up?
I discuss the second, and final, album from Dahvie Vanity’s solo project Sinners are Winners: The Invocation. Being an even heavier, gloomier and darker follow-up to the already dark and edgy For Beginners, how does it hold up?
I celebrate my gaming backlog with #LoveYourBackLog Week!
I discuss the first album from Dahvie Vanity’s solo project Sinners are Winners: For Beginners. Being an Industrial Metal project with a much darker aesthetic, how does this project compare to Blood on the Dance Floor’s previous works?
I discuss Blood on the Dance Floor’s eight studio album: Scissors. Being the final album to feature Jayy Von Monroe, with a Synthpop sound, how does it hold up?
My (incredibly late) “Pre-Airing” Impressions for the Winter 2020 Anime Season.
I discuss the first solo project by Dahvie Vanity: Master of Death. How does it compare to the mainline Blood on the Dance Floor releases?
I discuss Blood on the Dance Floor’s sixth studio album: Bad Blood. Being a much angrier and heavier record compared to everything else that came before it, how does it hold up?
I discuss Blood on the Dance Floor’s Alternative Rock EP. Being a completely different genre from their usual releases, how does this one hold up?
