I discuss Blood on the Dance Floor’s ninth studio album: Kawaii Monster. Being the first album to feature female vocalist, Fallon Vendetta, and being yet another odd shift in sound, how does it hold up?
I discuss the second, and final, album from Dahvie Vanity’s solo project Sinners are Winners: The Invocation. Being an even heavier, gloomier and darker follow-up to the already dark and edgy For Beginners, how does it hold up?
I discuss the first album from Dahvie Vanity’s solo project Sinners are Winners: For Beginners. Being an Industrial Metal project with a much darker aesthetic, how does this project compare to Blood on the Dance Floor’s previous works?
I discuss Blood on the Dance Floor’s eight studio album: Scissors. Being the final album to feature Jayy Von Monroe, with a Synthpop sound, how does it hold up?
I discuss Blood on the Dance Floor’s Industrial Metal EP: Cruel Pornography. Being yet another genre shift for the band, how does it hold up?
I discuss the first solo project by Dahvie Vanity: Master of Death. How does it compare to the mainline Blood on the Dance Floor releases?
I discuss Blood on the Dance Floor’s seventh studio album: Bitchcraft. As a bit of a throwback to the bands earlier days, moving away from their more serious direction, how does it hold up?
